We were thrilled to see Beare’s International Violin Society artists, Quatuor Ébène’s new album ‘Beethoven Around the World’ released on Warner Classics earlier this year.
We were thrilled to see Beare’s International Violin Society artists, Quatuor Ébène’s new album ‘Beethoven Around the World’ released on Warner Classics earlier this year.
The album features all 16 of Beethoven’s String Quartets to mark the composer’s 250th anniversary of his birth. ‘Around the World’ encompasses Quatuor Ébène’s live recordings in Vienna, Philadelphia, Tokyo, São Paulo, Nairobi, Melbourne and Paris.
Pierre Colombet plays the 1717 ‘Piatti’ by Antonio Stradivari, Gabriel Le Magadure plays a 1727 Antonio Stradivari violin and Raphaël Merlin plays a fine Tononi cello. All of the instruments are loaned by generous patrons through the Beare’s International Violin Society.
We caught up with Pierre Colombet from Quatuor Ébene who described the experience of performing on a fine instrument:
“Thanks to the generous patron and J & A Beare, I was given the opportunity and privilege of playing the amazing, 1717 ‘Piatti’ Stradivari violin.
I remember my first few hours at Beares with the instrument, the incredible warmth, depth, resonance, power and yet a penetrating brightness Everything blended so perfectly, something I have never experienced before.
The more I played on this magical violin, the more inspired I felt. Somehow, the last thirty years spent on sound quality, colours, different technical and musical ways to express feelings, rhythms and forms, suddenly all became a reality and possible in new and exciting ways through this amazing voice.
I came to the realisation that this profoundly inspiring instrument allows me a direct path from imagination to reality, proof of how much I’ve been struggling on lesser instruments for all these years.
Quite simply, it made me burst into tears.
The emotional impact of playing and working on the Piatti for several months, the sheer pleasure of every second I spend with this extraordinary instrument, the gift of exploration for even further musical development and new discovery, is something I cannot easily put into words.”